Without writers, the magic of film and television would not exist. The actors delivering powerful monologues, the directors bringing scenes to life, and the producers shaping the final product—none of it happens without the foundation of a well-crafted script. Yet, writers often remain behind the scenes, their names rolling by in the credits as audiences focus on the stars. The 77th Annual Writers Guild of America West (WGAW) Awards celebrated the individuals who create the stories that captivate audiences worldwide.
On February 15, 2025, the Beverly Hilton Hotel hosted this prestigious event, honoring outstanding writing across film, television, streaming, news, radio/audio, and promotional categories. Hosted by actor, writer, and comedian Joel Kim Booster (Fire Island, Joel Kim Booster: Psychosexual), the ceremony was a night of recognition, camaraderie, and appreciation for those who craft the narratives that define our culture.
Several honorary awards highlighted the evening. Legendary filmmaker David Lynch (Blue Velvet, The Elephant Man) was posthumously awarded the Laurel Award for Screenwriting Achievement, presented by longtime collaborator Kyle MacLachlan. Vince Gilligan (Breaking Bad, Better Call Saul) received the Paddy Chayefsky Laurel Award for Television Writing Achievement, presented by Rhea Seehorn. The Paul Selvin Award was given to RaMell Ross and Joslyn Barnes for Nickel Boys, an adaptation of Colson Whitehead’s novel, presented by Black List creator Franklin Leonard.
On the red carpet, AGENDA had the opportunity to speak with some of the night’s nominees, honorees, and presenters. Here are their insights into the craft of writing and the significance of this event.
Jon M. Chu – Nominated for Best Adapted Screenplay, Wicked
Sheryl Aronson: Congratulations on your nomination for Wicked and your Oscar nomination for Best Film. What does being here tonight mean to you?
Jon M. Chu: I’m very excited to be here. Winnie Holzman and Dana Fox are the core of our movie as the writers. Winnie wrote the original screenplay over 20 years ago, and it was an honor to work with her on this adaptation. Tonight is about celebrating that journey.
Joel Kim Booster – Host of the WGA Awards
Sheryl Aronson: What does it mean for you to host the Writers Guild Awards?
Joel Kim Booster: It’s a huge honor. I’ve been watching award shows since I was a little boy, and to now be hosting one—especially for writers—is surreal. As a proud WGA member, this is one of my biggest career accomplishments. The solidarity I felt with the Guild during the strike was profound, so being here to celebrate writers means everything.
I’m a little nervous—it’s a room full of writers, so I’m sure there’ll be notes on my monologue! (laughs) But I hope I do them proud.
RaMell Ross – Recipient of the Paul Selvin Award & Best Adapted Screenplay for Nickel Boys
Sheryl Aronson: Congratulations on receiving the Paul Selvin Award. What does this recognition mean to you?
RaMell Ross: It means everything—to be acknowledged alongside those who have changed culture and championed important themes. I feel deeply honored.
Sheryl Aronson: Nickel Boys addresses many relevant social issues. How challenging was it to write the script?
RaMell Ross: It was incredibly difficult but also rewarding. When you’re passionate about a project, the challenges fade into the background. My co-writer, Joslyn Barnes, and I had a great time creating this story, and that’s what I’ll remember most.
Lauren LeFranc – Writer of The Penguin, Winner of Best Limited Series
Sheryl Aronson: Writing The Penguin involves exploring dark and complex themes. How did you approach that?
Lauren LeFranc: I created the show with a balance of darkness and humor. The biggest challenge was delving into the psyche of the main character. But it was also fun—our writers’ room enjoyed peeling back those layers and crafting strong, intricate female characters as well.
Sheryl Aronson: Did you research sociopathic behavior to shape your characters?
Lauren LeFranc: Yes, with the help of Hollywood Health and Society, we consulted experts who study narcissists and psychopaths. Research is a crucial part of my process, and it helped make our storytelling more authentic.
Ernie Hudson – Actor & Presenter
Sheryl Aronson: You’re presenting awards tonight. What does that mean to you?
Ernie Hudson: I’m presenting Best Episodic Comedy and Best Episodic Drama. These writers are phenomenal, and I’m honored to be part of recognizing their work.
Sheryl Aronson: As an actor, how important is great writing to you?
Ernie Hudson: Everything starts with the writer. A great script is the foundation, and good writing is hard to do. I studied playwriting at Yale, so I know firsthand the work that goes into it. Acting is something I enjoy, but I have immense respect for writers.
Megan Park – Writer of My Old Ass
Sheryl Aronson: My Old Ass is a compelling yet deeply personal film. What inspired it?
Megan Park: After becoming a mother, I became nostalgic for my youth. Time seemed to move so quickly, and I started wondering: If I could go back, what would I tell my younger self? That idea shaped My Old Ass.
Edwin Lee Gibson – Actor (The Bear), Presenter
Sheryl Aronson: The Bear has a fast-paced, intense energy. What’s it like filming the show?
Edwin Lee Gibson: I love working on The Bear. Everyone comes to set prepared, and we work quickly.
Sheryl Aronson: Are you learning how to cook?
Edwin Lee Gibson: Yes—steaks have become my specialty! Cooking is all about the small details.
Sheryl Aronson: Your character, Ebraheim, is known for his minimal dialogue. What do you love about the writing for The Bear?
Edwin Lee Gibson: The economy of words. Even with little dialogue, you understand Ebraheim’s depth. He’s described as a man of mystery who has lived a thousand lives—I love that.
Lisa Ann Walter – Actor (Abbott Elementary), Presenter
Sheryl Aronson: What’s it like working on Abbott Elementary?
Lisa Ann Walter: It’s the best job ever. I get to work with an incredibly talented cast and some of the best writers in the industry.
Sheryl Aronson: How do you embody your character, Melissa Schemmenti?
Lisa Ann Walter: I’ve nailed the Philly accent! (laughs) There are some similarities between us, but once I step into Melissa’s demeanor, I become her.
Cedric Yarbrough – Actor (Reno 9-1-1), Presenter
Sheryl Aronson: You’ve had a long career in both comedy and drama. What was it like working with Clint Eastwood on Juror #2?
Cedric Yarbrough: It was incredible. I’m known for comedy, so stepping into a drama under Clint Eastwood’s direction was an amazing experience.
Sheryl Aronson: As an actor, how do you view the role of writers?
Cedric Yarbrough: Writers are everything! Without them, actors wouldn’t sound articulate. A well-written script allows us to bring characters to life. It all starts with the words on the page.
Final Thoughts
The 2025 Writers Guild Awards shined a well-deserved spotlight on the storytellers behind the industry’s most compelling works. As actors, directors, and producers take center stage, these awards serve as a reminder that every great story begins with a writer.
