Liza and the WonderWheels – Meet the Animal

Liza and the WonderWheels – Meet the Animal

If you like not too hard-edged punk with a little bit of rock, you’ll enjoy Liza and the WonderWheels’ CD, Meet the Animal.  This is a group of musicians that know their craft.  The songwriting is great and the vocals are good. Liza Garelik has a decent voice and the instrumentals are tight and somewhat complex—they are interesting on their own with vocals reminding me of Blondie from the early 80s.

This being their second CD, Meet the Animal demonstrates that a good rock band can sound just as good live as they do on a recording. Ian Roure plays lead guitar and handles those psychedelic lines well, Andy Mattina really stands out on the bass, and Joe Filosa’s handling of the drums is expert.  This is a tight band that can hold its own.

My favorite tracki is the third track, “Hush Not Sweet Pea,” a lullaby—it has a surprising sound where it starts off as a lullaby but surprisingly morphs into a hard rock-edge with a fold style.  The lyrics here are good.

I also liked the fourth track, “What I Do for Payday?” This song has an infectious beat and nice lyrics.  This has some good songwriting behind it, and the melody makes you want to sing along.

The fifth and sixth tracks lean toward classic “protest” rock of the late 60s and early 70s. “Clergy Man” definitely stands out as folk rock and has a message worth listening to.

What I like about Liza and The WonderWheels are good song writing, tight instrumentals, and lyrics that are neither too literal nor too abstract.

To learn more about Liza and The WonderWheels, visit their website atwww.lizasongs.com.

Lisa Trimarchi

FROM MOVIES TO BROADWAY MUSICALS… and Back Again!

FROM MOVIES TO BROADWAY MUSICALS… and Back Again!

By Marilyn Anderson

Has Broadway turned into a big, live movie screen?  So many of the recent stage shows originated as films!  It’s not hard to figure out why.  Productions that started as movies have a built-in audience, even before the curtain goes up the first time.  So it seems less of a risk for producers – and no question, theater is a risky business! The cost of producing a Broadway play is mega-millions, and too often, audiences just don’t fill the seats.  Consequently, more and more producers are finding popular old movies that can make the transition to the stage… and tell the story with music and dance.

As for me, I love the energy and excitement of seeing them come to life in the theater!  And the bottom line – whether you’ve seen the movie or not – head to New York and see a Broadway Show.  That’s the ticket!

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LEGALLY BLONDE the Musical – At Full Throttle Pink!

LEGALLY BLONDE the Musical – When I heard they had created a musical comedy based on the movie Legally Blonde, I was both excited and skeptical.  Excited because Legally Blonde is one of my very favorite comedy movies!  Skeptical because I couldn’t imagine how anyone could take the place of Reese Witherspoon in the lead of the sassy and fresh Harvard Law School heroine.  Reese was sooo adorable, sooo funny, and sooo perfect for the part of Elle Woods, I didn’t think any other actress could live up to her.

Sooo, it was with great anticipation that I went to the Broadway production.  But as soon as the first musical number started, my skepticism vanished.  The show had an amazing energy that never stopped from beginning to end.

And Elle Woods – Wow!  Laura Bell Bundy is a triple-threat actress who brings her own special style to the role, while singing and dancing up a storm.  The musical numbers were rousing and fun, the costumes terrific, and the whole production simply soared.

The week I was in New York, I saw eight (yes, you read it right, eight!) shows – and Legally Blonde was my very favorite.  The audience included lots of women and young girls – and they couldn’t have been more excited.

One very simple, but memorable moment was when the uniformed, shorts-clad UPS guy enters the beauty shop where Elle hangs out with her over-aged bimbo manicurist- friend, Paulette.  The UPS guy takes his time walking across the stage, flashes a smile, and before he even utters a word, the audience goes wild.  Who knows why, but it’s just extremely funny to watch – and such fun being part of the cheering crowd! Paulette and the UPS guy are played by real-life-husband-and-wife, Andy Karl and Orfeh, a recording star/songwriter, who belts out her numbers with power and pizzazz.

The music and lyrics are by another husband-and-wife team, Laurence O’Keefe and Nell Benjamin.  With a book by Heather Hach and direction & choreography by Jerry Mitchell, Legally Blonde the Musical is a production that entertains at full throttle pink!

From Movie to Musical – Legally Blonde rates an A+.

Legally Blonde:  The Musical

Palace Theatre New York
New York, NY

For tickets to Legally Blonde on Broadway, call 212-307-4100.

Theatergoers outside New York City can also call toll-free 1-800-755-4000.

www.LegallyBlondethemusical.com

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THE COLOR PURPLE Presented by Oprah Winfrey & Starring Fantasia!

THE COLOR PURPLEwas originally Alice Walker’s Pulitzer Prize winning novel, and then the critically acclaimed Steven Spielberg movie with themes of domestic abuse, infanticide, and racial oppression.  So turning it into a musical had to be a huge challenge… but one that has worked… and worked wonderfully.  The stage production retains the emotional impact while entertaining with moving and heartfelt musical numbers and talented performers.

The story is an inspiring family saga about a woman who, through love, finds the strength to triumph over adversity and discover her unique voice in the world.  In the musical stage version, the story of hope and celebration of life is set to a joyous score, featuring jazz, ragtime, gospel, and blues.
My boyfriend and I were lucky enough to be in New York when American Idol winner, Fantasia, took over the starring role of Celie – and it’s impossible to think of anyone else doing it.  Fantasia is unquestionably the perfect actress for the part.  Quite simply, everyone needs to go to New York to see her!

At 22, Fantasia Barrino has had such an emotion-packed life that she seemed born to play this role.  She went from virtual obscurity to her American Idol win in May 2004, after which she went on to break records and win awards for her singles and albums, earning more than 20 award nominations and wins, including the Grammy Awards, American Music Awards, and more. She wrote a New York Times best-selling autobiography, Life is Not a Fairy Tale, and then portrayed herself in a Lifetime television movie based on it.

It seems a “natural” for Fantasia to play Celie in “The Color Purple” – and what a thrill for audiences to see her! The other cast members are equally powerful.  NaTasha Yvette Williams as Sofia and Elisabeth Withers as Shug Avery give outstanding performances, as does the entire ensemble.

What were the elements that helped bring The Color Purple to the stage? Enter Oprah Winfrey…. some twenty years ago!  After reading Alice Walker’s original novel in 1982, Oprah loved it so much she would give copies to strangers.  In 1985, she was nominated for an Oscar for her role as Sofia in the film.  Now, Oprah is one of the producers of the musical.  Other notables, Scott Sanders, Quincy Jones, Bob and Harvey Weinstein, and Nederlander Presentations are also producers.

Directed by Gary Griffin, The Color Purplewas adapted for the stage by Pulitzer Prize and Tony Award® winner Marsha Norman, with music and lyrics by Grammy® Award winners Brenda Russell, Allee Willis and Stephen Bray and choreography by Donald Byrd.

With a team like this, it’s no wonder that the show is a magnificent emotion-packed gem.

From Movie to Musical – “The Color Purple” is an A+.

THE COLOR PURPLE

Broadway Theatre
1681 Broadway (Between West 52nd and 53rd Streets)
New York NY 10019

www.colorpurple.com

Broadway Tickets Call 212-239-6200

“The Color Purple” will also be touring Los Angeles, Chicago, San Francisco, Los Angeles, Tempe, Cleveland, Cinncinnati, Baltimore and Philadelphia. Check the website for dates.

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GREY GARDENS – A Riches-to-Rags Story!

This musical adaptation also came from a movie, a cult 1975 documentary of the same name.  It is a fascinating, though somewhat depressing, story about an eccentric aunt and cousin of Jacqueline Kennedy Onassis, who were once among the brightest blueblood names in the social register, but ended up East Hampton’s most notorious recluses, living in a dilapidated 28-room mansion.

Left to right: Erin Davie, Mary Louise Wilson, Christine Ebersole, (Photos: Joan Marcus)

The production was critically acclaimed, with superb Tony-winning performances by its two stars, Christine Ebersole and Mary Louise Wilson.   However, it was apparently too quirky and depressing a story to hold the crowds necessary to keep it afloat on Broadway for a long run.  The show closed after nine months. Still, I enjoyed and appreciated the unique and stylish presentation and intriguing bit of history of this riches-to-rags story about one of the most famous families of the U.S.

From Movie to Musical – Grey Gardens gets a B.

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YOUNG FRANKENSTEIN – It’s ALIVE! … and on Stage This Time!

The New Mel Brooks Musical, Young Frankenstein is coming to Broadway on October 11.  I saw the pre-Broadway run in Seattle and thoroughly loved it.  The sets and staging were incredible, the cast superb, and the story and songs – pure fun! New York seats are selling fast even before it arrives in the Big Apple.  After all, it comes from the team that brought us The Producers.  The book was written by Mel Brooks and Tom Meehan.  The music and lyrics are by Mel Brooks, with direction and choreography by Susan Strohman.

Young Frankenstein is probably the most beloved of Mel Brooks’ movies, with a cast that included Gene Wilder, Madeline Kahn, Cloris Leachman, Marty Feldman and Peter Boyle.  The actors in the musical may have a hard time being compared with the originals.  So don’t compare – just enjoy!  Seattle audiences went absolutely crazy for Andrea Martin in the Cloris Leachman role, Frau Blucher, and for Megan Mulally as fiancée Elizabeth, originally played by Madeline Kahn.  Roger Bart plays the young Frederick Frankenstein, with Shuler Hensley as the Monster, Sutton Foster as Inga, and Christopher Fitzgerald as Igor.

Hmmm, will Blazing Saddles be next?  Maybe, if we’re lucky!  In the case of Young Frankenstein, Mel Brooks has created a new monster of a musical – a great one – and if you want good seats, we recommend you order your tix now.

From Movie to Musical – Young Frankenstein is a huge A.

The New Mel Brooks Musical YOUNG FRANKENSTEIN

Hilton Theater

42 nd Street at 7 th Avenue

www.YoungFrankensteinTheMusical.com

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Other Movies to Stage and Back to Movies Again!

Xanadu was a much mocked-movie musical that is now getting raves on Broadway as a stage musical. I had seen the new lead, Cheyenne Jackson, in a staged readingof Superman in Los Angeles (See back issue of Agenda) – and he is a total hottie. I haven’t seen Xanadu yet, but I’d recommend the show just to feast my eyes on him!

Another one I sadly missed was the long-runningBeauty and the Beast which went from animated movie to stage with accolades as did The Lion King.  The more recent Disney Production Tarzan didn’t get quite the attention it hoped, and closed early. Nonetheless, the show, featuring music by Phil Collins, is a hit in Holland and will continue in other overseas venues.

Mary Poppins is another Disney movie-to-stage musical on Broadway now.  More movies to be made into musicals?  You bet.  I saw Sister Act at the Pasadena Playhouse in a pre-Broadway run – and I’m hoping it makes it to New York – because it was loads of fun (See back issue ofAgenda).

One of the first screen-to-stage transitions was the 1966 It’s a Bird, It’s a Plane, It’s Superman! – a funny and creative show which may be coming back as a revival and seems just as current today as it did then.  Another early entry in the movie-to-stage transition was Little Shop of Horrors – a romp of a show based on a Roger Corman movie which continues to have fans all over the world.

And of course, there’s Hairspray – first, a John Waters movie, then a musical on stage – and now a popular musical movie starring a beloved star, John Travolta.  He’s not like he was in Grease (which went from stage to movie) – and it’s not quite Saturday Night Fever, which went from movie to stage — but when “Fever” came to the stage – it didn’t go over big.  On the other hand, John Travolta is about as big as we’ve ever seen him as Mama Edna Turnblad in the musical movie of Hairspray.

For a spoof of many of the musicals, head to an off-Broadway favorite, Forbidden Broadway – Rude Awakening. Providing laughs for audiences since 1982, the all-new 25th anniversary edition features outrageous costumes, hilarious roasts of Broadway’s best songs, and zany impressions by a super-talented cast.

Expect to see many more movies turning into Broadway plays, and as always, vice versa.

I just heard that The First Wives Club is in the works for a Broadway musical.  Lots of women will be lining up to see that one.  And you can bet on the Big Apple that I’ll be one of them!

See you there!

Marilyn

Marilyn Anderson
Romance on the Road

HOT GOTHAM GETAWAYS!

HOT GOTHAM GETAWAYS!

Forget the big impersonal hotels.  Treat yourself to a more intimate hotel where they treat you special.  Where you’re a name, not just a room number.  Where the emphasis is on providing distinctive amenities and unique surroundings.  Where it’s not just a room for the night.  After all, you’re special.  You deserve it!

Here are five of our NYC faves:

Inn at Irving Place

Away from the madding crowds.  Two blocks to seductive Grammercy Park.  No hotel name on the door – just a number. Two historic townhouses… exquisite antiques… continental breakfast and Lady Mendl’s Tea Salon with 5-course High Tea.

Intimacy, luxury, and privacy. Feels like home…not a hotel. Only 12 guest rooms – so you KNOW you’re SPECIAL.

Toast martinis in the bamboo garden at Cibar.  Dine at Pure Food and Wine.   New York’s premier raw foods restaurant.  Snuggle in your comfy four-poster bed.  We did – it was heaven!

Inn at Irving Place
56 Irving Place
New York, NY 10003
800-685-1447
www.innatirving.com

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HOTEL ELYSEE

East Midtown romantic haven.  Elegant Trompe l’oeil murals and antique furnishings.  Club room for lavish Continental Breakfast.  Cookies, fruit, coffee & tea throughout the day.  Happy Hour with complimentary champagne, wines, cheeses, and hors d’oeuvres every evening Mon-Friday, 5-8.  86 charming guest rooms, 15 suites.

Try the Royal Suite for a Royal Weekend with Leonidas champagne truffles, strawberries, pink champagne and a dozen roses.  You may never want to leave!

Legendary Monkey Bar & Restaurant.  Reopened Asian theme and Fusion Food.

We wish we could have stayed longer.  But we will be back…. for more!

Hotel Elysee
60 East 54 th Street
New York, NY 10022
(212) 753-1066
800.535.9733

www.elyseehotel.com

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CASABLANCA HOTEL

Quiet and intimate haven – in the midst of Times Square.  You’d barely know it was there.  But it is.  Lucky for us.  48 guest rooms. 5 star rating.  Exotic Moroccan theme.  Gracious staff and management.  European breakfast buffet. Wine and cheese receptions every afternoon.  And on Friday – a piano player tickling the keys.

If you love theater – walk. It’s easy.  Do a matinee – come back for Happy Hour – and then stroll back to another show in the evening.

If you love film – thousands of movies available in Rick’s lounge on the mezzanine.  Bogey and Bergman on screen, all day.

Don’t tell too many people – it’s too good a secret!  We can’t wait to hide out here again.

Casablanca Hotel
147 West 43rd. St.
New York, NY, 10036
888.922.7225
www.casablancahotel.com

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HOTEL MELA

New. Stylish comfort. Luscious linens. Spacious rooms.  DesirableTheatre District/Times Square locale.

Your Desires program – personal concierge insures your favorite snack and beverage iswaiting in your room.

Mela’s cool Vietnamese restaurant, Saju, open for breakfast, lunch and dinner.

Walk everywhere. Full time doorman will point you to the best activities.

People-friendly atmosphere. And you can bring your pet!

Hotel Mela
120 West 44th Street
New York, NY 10036
1-800-555-7555
www.hotelmela.com

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THE RITZ CARLTON, BATTERY PARK

Best Rooftop Bar in New York City – Rise.  Breathtaking views. Innovative drinks & food.  Don’t miss sunset… any day!  Way downtown location, overlooking Battery Park and lower Manhattan Harbor.

Superbly elegant. Discreet.  Businessmen love it.  Lovers will, too.  Ask for the“Can’t Buy Me Love… But You Can Try” package.  You get the 2,000 square-feet Presidential Suite with a private butler.  Dom Perignon and fresh strawberries.  A helicopter ride.  Oh, and… your own 10-minuteFIREWORKS SHOW. Only $40,000!

Other stays aren’t quite so decadent.  But, rest assured, the Ritz Carlton is always wonderful.  That’s why we keep going back!

The Ritz-Carlton New York, Battery Park
Two West Street
New York, New York 10004
USA
212.344.0800

www.ritzcarlton.com/en/Properties/BatteryPark

Marilyn Anderson
Romance on the Road

Hot In Hollywood Fundraiser Shines with Stars Singing to Fight HIV/AIDS

Hot in Hollywood Fundraiser Shines with Stars Singing to Fight HIV/AIDS

The second annual Hot in Hollywood Fundraising Event packed a huge crowd at the Henry Fonda Music Box Theater in Hollywood on Saturday, August 18.  The hottest television actors from the shows “Ugly Betty,” “Heroes,” “Crossing Jordan,” “ER,” “House,” “The Office,” and more were on hand to entertain, sing, and perform comedy skits for the occasion.

America Ferrerra, Jerry O’Connell, Jennifer Morrison, and Sara Ramirez were among the celebrities who performed for the evening’s two charities, AIDS’ Healthcare Foundation and Salvation Army’s ALEGRIA House.

Notable highlights from the night included:  America Ferrara, obtaining the winning bid for a Toyota Prius at $37,000 and singing with Jerry O’Connell and Eddie Kaye Thomas in drag. America, Jerry, and Eddie were all hysterical in their tacky dresses and heels as the three of them bumped and grinded to “You Gotta Get a Gimmick,” the stripper’s number from the musical, Gypsy.

“Ugly Betty”‘s Michael Urie and Becki Newton continued the comedy and fun, impersonating Neil Diamond and Barbra Streisand, singing “You Don’t Bring Me Flowers.”  “ER”‘s Linda Cardellini and Parminder Nagra passed out condoms while rocking the house with “Bad Medicine” and “Let’s Get Physical”; and “Grey’s Anatomy” star, Sara Ramirez, blew everyone’s mind with a powerful and soulful ballad.

Host and Emmy nominee, Jamie Pressly sang an impromptu and sexy version of “Fever” with the help of Milo Ventimiglia.  The event finale was unforgettable as the talented cast members of “Heroes” sang “Let the Sun Shine In” with the entire cast joining them on stage in addition to a 30-person Agape choir.

Of course, the best part of the evening was the fact that everyone’s efforts and talents combined to raise much-needed funds. Hot in Hollywood is comprised of some of the biggest agents, managers, casting agents and Hollywood insiders, all of whom donated their time to help make the event an overwhelming success.  The brainchild of the event, creator Michael Medico, said, “I am so deeply touched by the many people that generously participated, from the performers to the people backstage. Hot in Hollywood is a dream come true to me, and I am thrilled that we could make this event so amazing and in the process raise money and awareness for our two charities, AHF and ALEGRIA.”

For more information, please visit www.HotinHollywood.org.

Marilyn Anderson
Romance on the Road

Pre-Emmy Party Offers Celebs Fun, Relaxation & Goodies Galore!

Pre-Emmy Party Offers Celebs Fun, Relaxation & Goodies Galore!

Everyone gets to see the excitement and glamour of the Emmys and some of the after-parties on TV.  However, the fun starts WAYbefore that!  In the week before all the big Hollywood Award Ceremonies, many of the nominees and other celebrities start partying hearty – at various events where they are invited to sample all kinds of products and services.

One such happening affair was the three-day long MAIN EVENT Emmy Red Carpet Lounge, hosted by Founder/Producer Debbie Durkin. Debbie sure knows how to throw a party!

Held at the Friar’s Club in Beverly Hills, the MAIN EVENT Loungewas filled with nominees, celebrities, and sponsors — mingling, snacking, and moving from table-to-table to the beat of live music. Patron and Mojito Island had the cocktails flowing at the bar while celebrities like Deidre Hall and Kate Flannery played Air Guitar in the main lounge.

Bella Spa was always busy with their 30-minute teeth whitening and paraffin hand wraps utilized by Rex Lee, Shar Jackson, andSally Pressman. Celebrities ranging from William Shatner to Rex Lee indulged in Selia Hansen’s unforgettable massages.  TIGIstyled and primped stars, including Dyan Cannon, Rex Lee, andTanya Tucker with fabulous hair.

The Main Event Lounge was also the launching ground for Patrons “Celebrity Concierge Program” with Entourage’s Kevin Dillon being the first celebrity to get Patron delivered to his home.

Jerry O’Connell, William Shatner, Barbara Eden, Dyan Canon, Carl Lewis, and others donated time and pet portraits for the SPCA LA that will later be auctioned off to raise money.

Guests left with bags full of goodies, including a $500 dollar gift certificate from
Lamborghini, skin care products from Extra Virgin, stylish t-shirts from TaBu clothing, vintage jewelry from Lara Noel Hill Designs, chocolates from John Kelly of Beverly Hills, organic food products from Dr. Melina, styling products from TIGI, and much more!

Former model Lizanne Falsetto’s all natural high protein thinkThin bars and other think products were a huge hit with the fit and fabulous Hollywood crowd.  Her thinkThin Pink bars benefit the Susan G. Komen Foundation for the Cure Foundation in October for Breast Cancer Awareness Month.  Her thinkThin and thinkThinpink bars are sugar-free and the thinkGreen bars are a salad bar on the go – both available at Whole Foods.

Another product showing that “healthy” is the way celebs want to be was “her” – the healthy-energy-revitalizer drink, which featured recipe cards for making martinis and other special drinks with champagne, rum, vodka, tequila, Cointreau… and even beer!  And of course, there’s her Au Naturale, too!

If there was any “dirt” on celebrities – it could be shaken off by theShaklee “GetClean” products, which were added to their swag bags.  It’s the non-toxic way to get rid of whatever slimes and grimes.

Hmmm, and speaking of slime – next time I’ll have to give those celebs a copy of my book, NEVER KISS A FROG: A Girl’s Guide to Creatures from the Dating Swamp!

The Main Event Lounge was a festive but casual atmosphere, mixing Hollywood beauty with brand integration.  It was such a success that Durkin Entertainment is already prepping for a lounge at the famous Sundance Film Festival in Park City, Utah.

See you there!
Marilyn

Marilyn Anderson
Never Kiss a Frog
www.neverkissafrog.com

Concert for a Cause: Michael McKean, Harry Shearer, & Christopher Guest

Concert for a Cause: Michael McKean, Harry Shearer, & Christopher Guest

What a night!  September 27 was an evening of fantastic music and lots of laughs when Michael McKean, Harry Shearer, and Christopher Guest took the stage at The Avalon in Hollywood.

The trio, best known as Spinal Tap from the movie of the same name, and as The Folksmen in “A Mighty Wind,” headlined thisConcert for a Cause to raise funds for the International Myeloma Foundation (IMF).

Michael McKean first became involved with the IMF when a friend and colleague, Lee Grayson, was battling multiple myeloma.  Since then, he has supported the IMF in Lee’s honor.

The audience was packed with fans of all ages – and they weren’t disappointed.  McKean, Guest, & Shearer played all the favorite Spinal Tap and Folksmen songs and many others.

Special guest performers included McKean’s wife, actress Annette O’Toole, and their daughter, Nell Geisslinger.  Harry Shearer’s wife, Judith Owen, a critically acclaimed folk-jazz-rock singer and pianist, also performed.   Musical legend Van Dyke Parks was featured as well.

It was an incredible one-of-a-kind evening for a worthy cause.

Be sure to SAVE THE DATE for the next extraordinary event hosted by the International Myeloma Foundation.

The IMF’s Annual Gala Celebrating Peter Boyle is Saturday, November 10, 2007, at the Wilshire Ebell Theatre & Club.

It’s an evening with comedy and music, featuring Ray Romano and the “Everybody Loves Raymond” cast, including Patricia Heaton, Doris Roberts, and Fred Willard.

There will be a dinner, show, and champagne reception with proceeds to benefit the Peter Boyle Memorial Fund at the IMF.

International Myeloma Foundation

www.myeloma.org

Marilyn Anderson
www.neverkissafrog.com

Tatty Devine – The British Duo of Fashion Accessory Design

Tatty Devine – The British Duo of Fashion Accessory Design

Tatty Devine was created in 1999. It is a unique and quirky accessory line. Rosie Wolfenden and Harriet Vine are the brains behind the successful jewelry designs. The company is based in Great Britain, and the two designers have no formal training as jewelers. Harriet and Rose met at Chelsea School of Art back in 1996. They had planned to become artists, but Harriet found some leather samples on the way home from the pub one night. She proceeded to make some leather cuffs. She and Rosie sold them at Portabello and Spitalfields markets—and Tatty Devine was born.

Harvey Nichols bought their accessories, then Browns, Focus, and Vogue Magazine took notice. Tatty Devine premiered their first official collection at London Fashion Week Spring, 2001. They have since shown their collection at Paris Fashion Week, and showcased in Berlin and New York, as well as having over 100 retail outlets worldwide.

I interviewed the British pair on their recent jaunt to LA and was thrilled to be given my own private showing of Tatty Devine’s collection.

“We express ourselves in everything we make. When we were in college, we did paintings—it’s all about the idea, and we were incubated in this conceptual cocoon. When we left college, we just hung out together, and all of our ideas and esthetics were really similar—we just started makingstuff.” —Harriet Vine and Rosie Wolfenden—

Harriet – It was just a series of fabulous events that just snowballed. You know, Rose was working at a vintage shop, and a woman from Vogue came in, and was just like, “Oh my gosh, I love that thing that you’re wearing. I really need it for my Millennium shot.” Then Rose had the audacity to say, “I made it myself. It’s from my company.” You know, so that was on Friday, and on Monday, we took to her … our …. It hadn’t existed on Friday!

Rosie – We made our collection on that weekend to take to Vogue. So we were just messing around having a really fun summer after college, visiting all the markets.

Harriet – We had no real desire to be fashion designers. We just wanted to be artists, to get studios, public views, and hang out with other artists. I guess if I had been a fashion student, I would have been really shy; but because I just didn’t really care, I admitted I made it myself.

Oh yeah, because you don’t have a reason to be afraid because you don’t really know what you’re doing anyway (laughs).

Harriet walked by a furniture store one night. They had thrown out all their leather sample booklets of every color, texture, and print—14 bins worth. Harriet dragged them all home; they were perfect size twenty centimeters by twenty centimeters, which is the size of your wrist. We had ostrich skin and purple; we had snakeskin and blue; zebra skin and pink. Harriet just cut them up into wristbands.

Harriet – It was just before the whole eighties thing.

Rosie – So we took it to a market store, and everyone [loved them]. They sold for 5 and 10 pounds each.

They were just flying off the racks.

At first actually, people asked, “What is this? What do you do with it?” We told them theywere wristbands. It took a little while, but within a month there were three other stands selling the same thing, but they could only afford to buy white leather.

See that is a good thing. When someone is copying you, that is the highest possible compliment. That is when you say, “O.K., I am doing something right.” Tell me about your designs.

We’re kind of fascinated with history and fossils and dinosaurs. Apart from that, we really like the way the dinosaur necklace is made up of about 70 pieces. And each one is a bone from the dinosaur. They’re individually drilled, and we put our beads on individually. Sometimes we have to get them special order. Whenever I wear this [necklace], everyone is [in awe]. In London, people save up so they can buy it because they love it so much. We must have sold about 600 of these now.

It’s called the dinosaur necklace?

Yeah. That’s my favorite. Everything we care to make is in limited edition quantities. Welaser everything that gets mass made. We couldn’t make thousands of anything.

Do you have letters of authenticity with your jewelry?

Well, that’s a really good idea because they do that in Singapore and Japan.

I’m sure they’ve got collector’s value. Down the line it could be worth something.

In Britain we don’t have to do it because everyone knows. Until recently they’d come to our shop and they’d watch the jewelry getting made. But I think letters of authenticity would be a very nice touch.

What are the materials you used to make these?

[In addition to other things], we used acrylic because it gives us the freedom to be very literal in our designs. We use [a variety of] wood, leather, solid silver, and Swarzsky Crystals. Then we create the drawings in the computer, which later goes into a [special] machine, which cuts out our drawings. It’s really nice. It’s like cookie cutters.

But it’s taken awhile to come up with such a smooth process, right? A lot of trial and error?

At first it was leather cuffs and then we moved on to hand cut leather shapes, and then we’d sew crystals on things. It’s like writing a Christmas list.

You’re actually setting a trend. And you guys really know how to market yourself. Do you think that has something to do with your success?

Up until a year ago, we were answering the phones. We were writing the press releases, trying to organize everything. My God, we nearly went mad. We’re finding liberation and now we’ve got 10 employees.

Tell me your highest high as jewelry designers.

When we got into Fashion Week, it was big. Every day something new comes along. I like that initial time of going to Vogue Magazine. That was quite amazing. It seems so crazy. We were like just two Indie kids—we were only 21..

What did your parents think about all this?

Rosie – My mum asked me what was I going to do when I finish college. [My parents] were a bit scared, because my parents were both self-employed and Harriet’s parents were always doing projects. Both of our parents are entrepreneurs. It never occurred to me to have a desk job. Not that I’d come into any money or anything, but I always thought I’d find my way.

Have you ever had any disappointments?

Not really. The biggest downer we had was when we participated in the Designers and Agents Show—it’s a trade show. We did it and it was great. And then we applied to do it again and we weren‘t accepted, which is annoying because we wanted to come over here. It wasn’t quite right. Because there’s nothing else quite like it. It’s really hard.

What advice would you give an aspiring entrepreneur?

You have to have a belief in yourself and have some interesting stuff. It’s not good enough just wanting to make jewelry. You’ve got to be interesting and have a lot of cool stuff, and have original ideas. Because it’s so dull seeing something that’s copied. Seeing something original really does just make my heart skip a beat. It’s lovely. And I think that’s what’s really important with our designs—they were just so fresh. You’ve really got to have faith in yourself, have no fear, and be prepared not to have any money for a while. We started with absolutely nothing. We started at zero, and months later we [earned] 200 pounds. And then we bought some more leather and then we sold it … and then we had 400 pounds. We never had a proper job, so we didn’t know what money was.

You didn’t know what to charge?

You really must be prepared for the fact that it takes a long time before you can really have a life. You just make jewelry all the time. You have to be prepared to work really hard; but to enjoy working really hard, have passion. And just like having initiative, I guess.

You guys are hard wired for business. I think it’s just in you. You’re artists, but you’re hardwired to be entrepreneurs, leaders.

I think entrepreneurship is a really creative thing. There’s business and then there’s being an entrepreneur. Entrepreneurship is the creative side of business. Because business really is creative. You can manipulate and point it to any direction you want.

To learn more about Tatty Devine and their collections, visitwww.tattydevine.com.

Interviewed by Kaylene Peoples

Merrell McGuinness Handbags – Making the Functional Handbag Fashionable

Merrell McGuinness Handbags – Making the Functional Handbag Fashionable

“I was working in a 9-5, and the only bags they had to carry were in black. They were so unattractive. All the beautiful designer bags that I loved were either too short, not wide enough, or didn’t have enough pockets.”
—Merrell McGuinness—

Handbag designer Merrell McGuinness received her inspiration in fashion from her mother’s (Marilyn Hubbard) vintage collection. Ever since Merrell was a child, she insisited on expressing her own personal style. At age 3, she wore fur-trimmed beige leather boots to preschoolnot at all uncharasteristic of the years that followed. Both women’s (Merrell and her mother) creative backgrounds and love of all things beautiful was the impetus of Merrell’s intuitive designs. Once she started designing her handbags, word spread quickly by word of mouth, and orders flooded in. Merrell, while holding down a full-time job, and maintaining a growing business, realized the need for a functional bag that still expressed a personal style. She succeeded in creating a leather handbag system that had style, comfort, and functionality, clearly meeting the needs of a busy woman’s lifestyle. Since its inception, Merrell Handbags have been featured in Lucky Magazine, Atlanta Peach, Splendora, Daily Candy, AOL: Style List, Chip Chick, Fashion Newspaper, WWD, and more…

Your focus was to make handbags more functional for women?

I was working in corporate America, and I never really had a way to channel it. With designing handbags, I never really had a background in it, but felt like I studied them from a consumer standpoint. I was working in a 9-5, so to say, and the only bags they had to carry were in black. They were so unattractive, and so the idea came … all the beautiful designer bags that I love were either too short, not wide enough, or not enough pockets, so I did a lot of things [that had not been done before.]

What were some of those things?

Our signature layered piping in the front. That was inspired when I was outside in the country with the symmetry and the lines in the country. Two layers of piping is not ground breaking, but the way it is laid out is kind of unique. Some of the pockets on the front, we even had to take the pockets off some of the bags because it was too mystical to the pockets and it wasn’t feeling right. Our “Sarah Clutch“… that’s definitely unique. The “Margaret” bag has a very functional wallet inside the bag.

How long have you been designing bags?

It’s been a three-year research process trying to figure out how I wanted to make them, and last spring was our first season.

How has it been going since you’ve been selling your bags?

It’s gone so well. People respond to it and say, “It’s a great idea! I love the detail.”

I think you really accomplished what it is you set out to do. Because I just opened the box and I thought the bag was beautiful…like the choice of leather, the coloring … there’s a lot of texture, and the look of it.

Thank you, for spring we went with a very neutral color pallet, and for fall we went with a much darker color pallet. We have 44 stores that are listed online, and one that’s in California (La Jolla). People can definitely buy it online.

What direction do you see your bags going in for this [fall] season?

We have the “Raquel” and the “Eloise” design, and they are inspired by vintage bags from the 60s. But they also have the 40s feel to them. I was just keeping it a clean line, simple, but interesting shape.

Sounds like you had a pretty good job before. Was it a struggle for you to quit your job?

I am doing handbags full time, and it wasn’t a hard decision. I have a habit of biting off more than I can chew. Once we really got into full swing, I realized that I never really liked being in a cubicle. It was really challenging, but great. My husband asked me when [my designs]were going to make a profit. It’s been very interesting. I’ve taken a lot of risks, but I have also seen a lot rewards.

Where do you see Merrell Bags in five years?

Well, I see Neiman … the whole 9 yards … expanding through wholesale channels.

To learn more about Merrell Handbags, visit the website:www.merrellbags.com.

Interviewed by Kaylene Peoples

Tattoos, Fashion, and Rock ‘n’ Roll

Talking Chic
Tattoos, Fashion, and Rock ‘n’ Roll

The skin is the largest organ of the body.  So for me, accessorizing certain areas of my skin with colorful ink seems to be an obvious part of expressing myself.  But what about the social stigmas attached to the tattooed subculture of men and women?  Or, the most commonly asked question, “What will happen when you’re older?”  Everyone is entitled to his or her own opinion regarding body modification, be it tattoos, piercings, or even plastic surgery.  However, I am proud to know that a solar system of stars stretches from my right hip to below my navel, where my name “Elana” sits in Old English.  I also love having a yin-yang also sitting on my lower back, reminding me that the highs and lows of life combine to create a beautiful existence.

I prefer to place my tattoos in discreet places, regions where I can show them off when the time calls for it.  Wearing a bikini by the pool or at the beach makes me feel oh so sexy.  Lounging around in low-waist sweats and a midriff tank with my boyfriend makes me feel comfy and cute.  But that’s me.

As for those out there who have adorned their skin with tons of pop art, personal portraits, pin-up ladies, and names of their loved ones for all the world to see, I praise your bravery.  In my eyes, the tattoos that have been permanently imprinted on a person’s body are merely an extension of that person’s style, the season, a time, or a reason.  Just as a pair of vintage kitten heels passed from a grandmother to her granddaughter stands for a memorable era, a tattoo depicting this very time period might also carry the same meaning.  A granddaughter can show her love for her grandmother by either keeping the shoes forever or tattooing a specific memoir on her skin forever.

Although I may not choose to display my body art to the public on every occasion—you’ll notice my leopard heels before you catch any glimpse of my tattoos—I can’t help but feel in awe of people who take tattooing to a whole new level.

Such as Kat Von D!

This 25-year-old tattoo artist grew up in the Inland Empire of Southern California, starred on the reality television show “Miami Ink” on TLC as the shop’s only female employee, and eventually scored her own show and shop “LA Ink.”  Although, I am more impressed with her entrepreneurial spirit, rock ‘n’roll vibe, and her insane platform heels than simply her massive number of tattoos, I enjoy seeing a soft-hearted gal committed to her clients and staying passionate about the art of tattooing.  With stars lining alongside her temple and, if you look quickly enough, tattoos underneath her chin, the most common thought might be:  Why would she do that to herself ?

I say, “Why not?”

Elana Pruitt (www.talkingchic.com)

Trapped Inside the Story Leslie Cohen

Trapped Inside the Story
Leslie Cohen

Trapped Inside the Story is so good I predict a bestseller! Written by Leslie Cohen, it is the historical biography of Holocaust survivor Naomi Kalsky, born Sonya Hebenstreit.

The biography opens with Sonya Hebenstreit, seven years old, Jewish, living in Poland during the Russian occupation in 1941. Her family, along with the rest of the people of Lvov, Poland, have struggled throughout the 1930s because of the Great Depression. Before the Depression, Sonya’s father, Israel, had owned his own bakery, but now he works for someone else. Then comes the Nazi invasion, and the Russian Communists leave, inviting any of the people to emigrate to Russia. Sonya’s family, unable to afford the cost of relocating, is soon at the mercy of the Nazis, who have now taken over.

Sonya’s story is told in the genre of the fairy tale—and they lived happily ever after, generally—because of the heroine’s love of fairy tales. As a child, she reveled in the stories of the Ukrainian housekeeper, Zoshka; and the heroes of those stories became her friends. Then, she learned to read herself and read all of the fairy tales she could get her hands on.

Sonya is the oldest of three children. She has a younger sister, Rosa, and a baby brother, Emmanuel. First, her father disappears. He was taken by the Germans and made to work. He manages to escape, but when he returns home, he is fatally ill. Next, her mother disappears, having gone to “volunteer” her services now that her husband is too ill. She never returns. Sonya, the oldest, is left now to take care of her father, her younger sister, and her baby brother. Finding food for everyone and milk for the baby becomes the hardest thing for Sonya.

Soon her father dies, and twelve-year-old Sonya, unable to escape her fate, continues to feed and take care of the family she has left. Emmanuel becomes ill, and in spite of herself, she has to leave him in what passes for a clinic in hopes he recovers. She never sees him again. Finally, Rosa disappears in a roundup while Sonya is away searching for food.

Due to her ingenuity, her fairy tale friends, and the non-Jews who help her in spite of the repercussions if discovered, she manages to evade capture by the Germans; and to survive, as she must, she does whatever survival dictates. Dealing on the Black Market and stealing from apartments that have been abandoned by families taken in roundups are the worst until she has to pretend she’s a Gentile, abandoning her faith. Her fairy tale friends, however, assure her she must do what she must to survive. And always, the hope of seeing her mother, her sister Rosa, and her brother Emmanuel again keeps her going.

She likens the occupation of the Germans to a fairy tale, inside which she is trapped, unable to escape, a fairy tale in which the bad guys win; and again the reader witnesses the atrocities the Jews suffer at the hands of the Nazis and at the hands of some of the non-Jews, mostly because they fear the punishment if discovered befriending or otherwise being kind to Jews. Yet, just as in other stories of the Holocaust, there are those who risk their lives to help the Jews, and this, too, adds to the pathos of the biography.

Not since The Diary of Anne Frank or Elie Wiesel’s Night have I been so touched by the memories of the Holocaust. An orphan now, the thing she feared most, having seen in her fairy tales and in school how orphans were treated, Sonya cries: “I’m an orphan—like some of the heroes in fairy tales I’m like a character in a story. It’s as if I’m trapped inside a horror story––a story so strange, so far-fetched, and so nightmarish that it can only be a fairy tale” (114).

Originally, there were 100,000 Jews in Lvov. Along came the Russian occupation. Then, on June 22, 1941, with the news of the German invasion, about 10,000 Jews left Lvov with the Russian army. On June 29, the German army entered Lvov. In July German soldiers and Ukrainian nationalists began to murder Jews on the streets, and by August 3, 4,000 Jews had been murdered. At the end of the war, there were only 600 Jews left, Sonya, fourteen or fifteen years old now, one of them, the only member of her family left.

Book Reviewed by Lee L. Peoples

Published by Level 4 Press, Inc.
13518 Jamul Drive
Jamul, CA 91935
www.level4press.com
ISBN: 978-1-933769-16-5